Mobile spy iphone 6 Plus vs galaxy note 7

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Do more with Galaxy Galaxy phones make life easier, faster, and better. Free shipping Get your favorite items, delivered right to your doorstep. Show More. Device models that currently qualify for trade-in and trade-in credit amounts associated with those models are available on Samsung. To be eligible for trade-in, your qualifying device must meet all Trade-In Program eligibility requirements, which include, but are not limited to, that the device powers on, holds a charge, and does not power off unexpectedly; has a functioning display; has no breaks or cracks in the screen unless a cracked screen offer applies ; has no breaks or cracks in the case; has no liquid damage whether visible or not ; has no other defects that go beyond normal wear and tear; is not on a black list; has a verified FCC ID; has been reset to factory settings; has all personal information removed; has all software locks disabled; and is owned by you leased devices are not eligible.

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Additional terms, including terms that govern the resolution of disputes, apply. Click here to learn more. Show Less. The iPhone also supports p slow-motion footage, captured at fps or fps for one-quarter or one-fifth playback speed, something that the Note 8 and Galaxy S8 don't do. The iPhone 8's wide-angle camera has the best stabilization of the bunch. Video is effectively smoothed, so there's no jitter, and it looks quite natural—all at 4K. The Note 8 has dual stabilized lenses, and while they aren't jumpy and jittery, you can see the frame shake as you take steps while walking, an effect absent in the 8 Plus' wide camera.

The 8 Plus is definitely using some digital stabilization to steady its 2x lens footage so it's not jittery, but it's not as smooth as any of the optical options, and you can see some unnatural motion that's a result of the digital stabilization. The iPhone X's secondary lens does boast optical stabilization, and it looks to be as effective as the main camera. If you're big into video and want stabilized footage from both lenses, the X is the phone to get.

In addition to standard video capture, the iPhone will auto-edit videos on demand, highlighting photos and moments from a certain time period. I tried it out. It made some weird choices. It mixed up a few portraits of staff members with lots of images from our camera test scene, and omitted everything I shot in the botanical gardens. I guess it likes people and test charts more than flowers. If you use your phone to take more typical photos, it'll hopefully do a better job.

The iPhone also shoots what Apple calls Live Photos. They're a mix of a second or so of video leading up to your shot, followed by the image itself.

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It's a neat concept—Nikon did a similar thing with its failed series of Nikon 1 mirrorless cameras. But if you don't see yourself sharing these types of clips you might want to turn the feature off, as it takes up more space than a standard photo. If you're shopping for an iPhone 8 or Galaxy S8, you can disregard this section.

We're going to talk about what the dual lenses in the 8 Plus, X, and Note 8 bring to the table.

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In addition to a tighter field of view when shooting photos, they both use depth information delivered by the cameras to map scenes and simulate the out-of-focus blur, also known as bokeh, associated with wide aperture lenses and big image sensors. They do it a bit differently. Apple doesn't let you adjust the amount of background blur, while Samsung does, but iPhone 8 Plus owners have specialized lighting effects that can be applied to images, whereas you don't get that with the Note 8. If you buy an iPhone X you'll be able to do all the bokeh and lighting tricks that you can with the 8 Plus's rear camera, but with the front camera as well.

On the iPhone it's called Portrait Mode, although it works when holding the phone in landscape orientation and you certainly aren't limited to photographing people. Samsung calls its version Live Focus. Both require you to be a few feet away from your subject to work, and both allow for adjustments to the image and effect after capture—think of it as a Lytro camera, but with much better image quality.

The results are above. You'll notice that the shots aren't labeled.


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See if you can tell the difference between the phones and pro SLR. Running from left to right, we have the Note 8, the Canon, and finally the iPhone. The wood railing behind our subject isn't quite as blurred in the Galaxy shot, but the building in the background is blurred with aplomb. The field of view is slightly different with the Note 8, despite all three shots being captured from the same position with a similar pose.

That's because the Note's main camera is a little bit wider than the iPhone's. The iPhone didn't do a good job with Chandra's hair. The top of her head is slightly cut off, and there's a more noticeable cutout at the camera left side of her head. A close look at the images below tells the tale. The iPhone's algorithm is getting thrown off by some individual hairs at the top of the head, as well as bit of the building behind Chandra that isn't fully illuminated by the setting sun.

The image on the far left is the non-portrait iPhone shot you can toggle the effect after an image has been captured , with the iPhone's Natural Light portrait shot in the middle, and, for comparison, the Note 8's take on the portrait on the right. That's not to say that Samsung's algorithm is perfect; it can definitely get tricked up. But at press time, it appears to have a bit of an edge when it comes to mapping humans. I also took both phones to brunch, followed by a trip to the New York Botanical Gardens, to see how their bokeh modes handled two popular Instagram subjects—food and flowers.

When it comes to eggs benedict, both phones do an admirable, Instagram-worthy job. The iPhone underexposes a bit in shady lighting, but that's something you can easily fix after the fact, it's not significantly dim. It handles this background well, with soft, feathered blur, and I don't see any problems with the mapping of the subject itself.


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  4. The Note 8 doesn't deliver as much blur, even at its most extreme setting, but out-of-focus highlights are pretty good, they just don't have the same feathered look as you get with the iPhone. At the gardens I nabbed shots with both phones that would fool veteran photographers at Instagram sizes. Both did an excellent job mapping a lotus that was part of an outdoor water garden exhibit. But when it came to shooting a bird-of-paradise, the iPhone managed to get the proper amount of background blur, while the Note 8 shows a bit too much in focus behind the flower, even with the blur set to its maximum level.

    I'm thinking the wider wide-angle lens is in play here. For this particular image, shot indoors under skylights, Samsung's colors are warmer and more pleasing to the eye, but again, it's easy to warm a photo to taste, either using the iOS Photos app or the editing software of your choosing. Both phones failed big time when it came to capturing a swirling fiddlehead fern plant.

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    The Note 8 struggled to map it and I only managed a couple of blurry shots that were the camera's attempt at blurring the background the wide-angle shots, which the Note 8 also saves, are sharply focused. The iPhone picked up on certain parts of the plant, but did a poor job of deciding what should be in focus and what is blurred. Right now, both phones have plusses and minuses when it comes to bokeh simulation. The iPhone 8 Plus sometimes struggles mapping hair when photographing people, while the Note 8 steps up and does a solid job.

    But for other shots, especially those when the background is not far off in the distance, the iPhone draws the out-of-focus area with a blurrier, more pleasing feathered look. Both fail the fiddlehead fern test, but let's be honest, it's a weirdly shaped plant. Because the portrait effect relies so heavily on software processing, there's a good chance we'll see improvements in both camps as software updates roll out from Apple and Samsung. Remember that with both phones, shooting for shallow depth of field isn't the most candid process. It takes longer to focus and map a scene than it does with a single lens, so if you want to get photos of your toddler running around that look like they were shot with a big-sensor camera, you'll still need to get a camera with a big sensor.

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